I think I can only bea as good an engineer as the environment I work in will allow me to be. This is why Roberto Piazzon and I eventually buildt the studio: no more uncertainty about our resources.

All the choices we made, both on the workflow and the construction, were musical. The acoustic design (by Riccardo Pietropolli) was developed starting from our favorite records. The technical design took into account the creative process, ease of workflow and operation, and reliability. Roberto Piazzon’s work as the maintenance engineer makes sure our time won’t be spent waiting for troubleshooting and lets us work relaxed and easy.

All of these conditions set Magister Sudio a meeting point for musicians, engineers and people working with music, the living heart of a creative network.